• Catechisms for the Imagination Article by N.D. Wilson

    FROM TABLETALK | November 2013

    What are stories for? Ask an average group of young American narrative consumers this question and they most likely won’t know what you mean. What you’ll likely get are blank faces, shrugs. So, let’s get more specific. What are movies, TV shows, comic books, and novels for? What’s the point? Why watch? Why read? Why do we as a culture bother to spend billions of dollars (and hours) creating and consuming stories? The consensus answer—regardless of whether the kids asked are active and aggressive readers or merely passive imbibers of whatever happens to be on—will almost always come down to … View Resource

  • What Stories Do Article by Sally Lloyd-Jones

    FROM TABLETALK | May 2013

    Almost overnight, my eight-year-old niece went from being a vivacious little girl who sang her way through life—as if she were singing the soundtrack of her own life the movie—and became a frightened, withdrawn child who spoke so softly you could barely hear her. It was as if she were literally losing her voice, losing herself. And then we found out she was being bullied at school. Later, she told me that she thought she wouldn’t get in trouble if she tried not to be herself. It broke my heart, and I wished she had a book to read before … View Resource

  • Just How Beautiful Beauty Can Be: An Interview with Andrew Peterson Article by Andrew Peterson

    FROM TABLETALK | October 2012

    Tabletalk: Please describe your conversion briefly, and tell us how you got into writing music and literature. Andrew Peterson: I grew up in the church, the second son of a preacher man. That implies a lot, and most of what it implies is true. I was a rascal with a heart of coal, but I could flash a Sunday morning smile and impress the little old ladies in their flower hats. I was born in Illinois, but when I was seven our family moved to north Florida, also known as the “Deep South,” where your Christianity was defined by … View Resource

  • Good and Evil in The Lord of the Rings Article by Keith Mathison

    FROM TABLETALK | August 2011

    There is a scene near the end of The Lord of the Rings that has brought tears to the eyes of many readers. The hobbits Sam and Frodo have been rescued from certain death after completing their quest. When Sam awakes, he sees someone he never expected to see again and exclaims: “Gandalf! I thought you were dead! But then I thought I was dead myself. Is everything sad going to come untrue?” Sam is not a poet, but the words he uses to describe his surprise at finding his friend alive capture very movingly the longing all of us … View Resource

  • Law, Grace and Redemption in Les Misérables Article by L. Michael Morales

    FROM TABLETALK | August 2011

    Victor Hugo’s monumental novel Les Misérables, first published in 1862, has been compared to a gothic cathedral — and justly so. One comes away from the work with the alternating images of grotesque gargoyles and chipped, mildewed saints, cobwebbed shadows and illuminating shafts of light lingering in the memory. Structurally, the book contains all the intricate, and oft-dizzying, architecture of the late medieval period, along with dark crypts and cold corridors. While one may easily get lost in this literary labyrinth — literally, too, as Jean Valjean, the novel ’s hero, scurries about the streets of Paris with Javert … View Resource

  • The Unholy Pursuit of God in Moby Dick Article by R.C. Sproul

    FROM TABLETALK | August 2011

    It seems that every time a writer picks up a pen or turns on his word processor to compose a literary work of fiction, deep in his bosom resides the hope that somehow he will create the Great American Novel. Too late. That feat has already been accomplished and is as far out of reach for new novelists as is Joe DiMaggio’s fifty-six-game hitting streak or Pete Rose’s record of cumulative career hits for a rookie baseball player. The Great American Novel was written more than a hundred and fifty years ago by Herman Melville. This novel, the one that … View Resource

  • Writing For God’s Glory Article by Burk Parsons

    FROM TABLETALK | August 2011

    Each of us was born with an imagination. Since creation, we have possessed the ability to form unseen images and original ideas in our minds — to visualize neverbefore seen characters and to craft intricately interwoven themes never experienced by anyone at any time in history. With our imaginations, we create stories and thus create imaginary worlds where there are heroes and villains, brave little hobbits, and great white whales. Some stories are historical, and some are fictional. Some stories are told to teach a lesson, and some are told merely to entertain. Throughout history, some stories have been passed … View Resource

  • Confessions of a Bibliophile Article by Keith Mathison

    FROM TABLETALK | February 2011

    According to the Oxford English Dictionary, a bibliophile is “A lover of books; a book-fancier.” Although this is a helpful definition, I’m not entirely sure I want to refer to myself as a “fancier” of anything. I’m from Texas. We either like something or we don’t. We don’t “fancy” things. It’s…unnatural. However, I do love books, or perhaps, I should say more precisely, I love to read. Always have. When I was a child, I devoured books. Tom Sawyer, the Hardy Boys, anything I could find. When visiting relatives, I would read whatever they happened to have on the … View Resource

  • The Pagan Agenda of the Code Article by Peter Jones

    FROM TABLETALK | May 2006

    As I lecture around the world on the Da Vinci Code, a typical response is to tell me to relax, enjoy the book as a fun read of fiction, and move on. Let me say that it is indeed a “fun” read, that it is fiction — but like many works of fiction, it has a deep ideological agenda, suggesting that “relaxation” is hardly the appropriate response. But neither is panic or ignorance. Someone recently spoke about the debt we owe to heresy, because error opens up discussions about the truth — and no Christian can be against that! … View Resource

  • Historical Propaganda Article by Albert Mohler

    FROM TABLETALK | May 2006

    Dan Brown’s blockbuster novel, The Da Vinci Code, represents an undeniable publishing phenomenon. Sadly, it also represents a direct attack upon the central truths of the Christian faith — and a misrepresentation of historical fact. Indeed, the novel is really a work of historical fiction, but many readers are deceived by Brown’s all-too-clever recasting of history. Brown uses the novel’s plot and dialogue as the means of “uncovering” what he presents as long-lost truths about the transformation of Christianity. The Da Vinci Code becomes a literary vehicle for denying the deity of Christ, the reliability of the New Testament, … View Resource

  • The Fool’s Folly Uncovered Article by James White

    FROM TABLETALK | May 2006

    The many biblical errors of the The Da Vinci Code are clustered in two vitally important portions of the story of Dan Brown’s blockbuster fictional work. First, the vast majority of statements concerning the Bible appear in the narration of events in the home of Sir Leigh Teabing, where he and Langdon “educate” Sophie Neveu about the true nature of the Holy Grail (pp. 231–267), and secondly on Teabing’s aircraft as they again expand upon the Grail legend (p. 309). Though the work is presented as fiction, its assertions regarding the Bible are presented as bald facts without the slightest … View Resource

  • The Da Vinci Conspiracy Article by R.C. Sproul

    FROM TABLETALK | May 2006

    Yes, Virginia, there really is a lunatic fringe on the ideological spectrum. We commonly hear perspectives described as left-wing or right-wing. Beyond that, the descriptions become more precise in terms of radical right and radical left. If we cross the border beyond the radical of right or left, we enter into the domain of the lunatic fringe. There is a lunatic fringe on the right, which would include neo-Nazis, skinheads, and the like. On the radical left there is also a lunatic fringe that would include within it radical conspiratorialists and even academicians who are educated beyond their intelligence. For … View Resource

  • Decoding Da Vinci Article by Burk Parsons

    FROM TABLETALK | May 2006

    It should be no surprise to know that in 2005 the Louvre museum in Paris attracted more visitors, 7.3 million to be exact, than in any previous year since the Louvre was established as a museum in 1793. The museum is expecting to break that record again in 2006 with the May release of Hollywood’s version of Dan Brown’s best-selling book, The Da Vinci Code. Last year I too visited the Louvre while on a layover in Paris. Although I was not there in order to try to figure out the supposed centuries-old codes hidden in the paintings of … View Resource