• Law, Grace and Redemption in Les Misérables Article by L. Michael Morales

    FROM TABLETALK | August 2011

    Victor Hugo’s monumental novel Les Misérables, first published in 1862, has been compared to a gothic cathedral — and justly so. One comes away from the work with the alternating images of grotesque gargoyles and chipped, mildewed saints, cobwebbed shadows and illuminating shafts of light lingering in the memory. Structurally, the book contains all the intricate, and oft-dizzying, architecture of the late medieval period, along with dark crypts and cold corridors. While one may easily get lost in this literary labyrinth — literally, too, as Jean Valjean, the novel ’s hero, scurries about the streets of Paris with Javert … View Resource